These people recognize that play is just as important as a fitness workout, eating correctly, and any self-development educating learning. I commend them for getting curious about what a Buffoonery Workshop could offer them.

The word “buffoonery”, the English definition of the tricky technique for this team-building process based on the French “Bouffon”, can startle people and give an impression of “not serious”, “silly”, “un-productive playing”, and cause them either to laugh, and want to know more, or smile while thinking “this is not for me, and much too foolish”.

Some of that is true. Yes, it’s silly. Yes, it’s not serious. Yes, it’s foolish. But, according to many studies, play proves to be a crucial element for effectively maneuvering in this world and most definitely NOT unproductive! Acclaimed writers Daniel H. Pink, Stuart Brown M.D., and Jonah Lehrer all address the importance of play.

I asked some of the group if they had any impressions after the workshop they would like to share.

“What I took away as a precious gift from you, Trilby, as you led us in a safe and trustworthy environment, was that I became aware of letting my energy (emotions) flow; then I started to feel and connect with what is really important to me on my journey in life. The biggest reflection from the workshop in my mind is “connecting with me through the eyes of others”.

Margarete Vinke

We enjoyed your unbridled laughing, Margarete!

“Brilliant experience: for self-growth, for therapy, for discovering yourself and of course for FUN!!! Truly honoured and happy to have the chance to be a Buffoon! Thank you sincerely, Trilby!” Dr. Dilyana Nestorova

Getting into our bodies!

Knowing your trepidation for “performing”, Dilyana, it was fun to see you dive in!

“I loved doing the buffoonery session so if I were to say something about it – I would have to say how much I enjoyed getting out of my shell. It really loosened me up around a group of people that I try to be more business-like around and realized that it’s more fun to relax and be yourself.” Marlise Mellett

You work in a playful environment, Marlise. I appreciate that you wanted to explore that further!

“I gained personal insight and awareness.” Rhiannon Foster

As an already wonderfully expressive person, Rhiannon, it was great to see you play more, and also aid in giving permission to the others to play. Thank you!

Everyone helps you to find your ‘Bouffon’!

“Taking the time to search deep into my Buffoon was a truly amazing experience. You took control, you knew exactly how to make me open up, perform, and relax, but most of all have FUN!!!

I’d never felt, or seen myself through other people’s behaviour, mimicking me, not in a bad way, but to see myself through other people in the group, from their movement.

I really am a confident individual, and through your workshop, I feel even more confident in a different way. My business is of a serious nature, and my personality can reflect that.  However, with just a few little tweaks from you, getting me out of my comfort zone was really a huge achievement.”

Jason Scott

As someone in the Fitness business, Jason, you realize how important it is to connect with our bodies. When we are in tuned with what are bodies are doing, it can be enlightening, and helpful to our every day. Thank you, for boldly taking it a step further.

A few of the bouffons!

It is always a joy for me to witness each individual’s personality pop out in a safe, free environment. I can’t think of a better mission in life.

Is play a priority in your life?

“To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” – Ralph Waldo Emerson

However, there are areas where trust, or a lack of trust, can have a significant impact on a situation. Relationships, intimate or casual, can suffer if there is little trust. And, on the other side of the coin, relationships can flourish with full trust. So.. how do we establish and nurture this crucial state? How do YOU inspire trust?

This article by Geoff Forte nicely addresses some ideas for trust in the workplace.

The Secrets of Building Trust in the Workplace

Scottish author George Macdonald said that “it is better to be trusted than loved.” That may not be entirely applicable in private life, but it certainly is a sound axiom to live by at work. Experts agree that trust is one of the most important ingredients to a productive, synergistic and communicative workplace. Much has been said about building relationships with co-workers, bosses and customers, but while that is an important element to success, the need to forge trusting relationships is the real key. What are some warning signs that you may have a trust issue in your workplace?

1-A very active “grapevine,” or “rumor mill”
2-High turnover rate
3-”Turf wars”
4-Defensiveness
5-Low initiative, morale

Read the rest of the article by Greg Forte,  contributor to Yahoo Voices

But, before I pull the anchor, let me tell you first and foremost Mr. Hyslop will be appearing in the show “Victor Victoria” directed by Mark Carter, opening at the Metro Theatre on March 17, running through until April 7. This exceptional opportunity to watch, in my opinion, a Canadian icon that has done everything from Gilbert of “Anne of Green Gables” to the Phantom in “Phantom of the Opera” and numerous television appearances including the famous “Today’s Special” and much more, is not to be missed. I hope you won’t.

Read the rest of my article for GVPTA here….

“Brush strokes, tattoos, video testimonials, life scars, legacies….. These are a few of the traces I pondered after watching Théâtre la Seizième’s original production “Traces”, directed (& created by) Craig Holzschuh and Anita Rochon, with collaboration by Gilles Poulin-Denis, (stage manager, Noa Anatot; set design: Julie Marten; lighting: Jeremy Baxter; music, Steve Charles; video, Corwin Ferguson) recently on at Studio 16 in Vancouver.

Coming from a family of artists – father, painter & potter – mother, fibre artist, I was always aware of the marks they were leaving in the world. I was in admiration of their visual contribution that will remain long after they are gone. It made me wonder about my contribution.”

Please read the rest of the article on GVPTA’s blog

A taste of the stage for “Traces”

The short film project “The Queen of Hearts” is part of  the Compendium series “Alice In Wasteland” produced at Vancouver Film School under the EBM department (Entertainment Business Management). Also within the “Alice in Wasteland” theme,  four other short films are being shot with different production teams: TweedleDee and TweedleDum, The Twins; The T-Party; The Chesire Cat;  and, The Flowers. I have been cast as the Queen of Hearts, and am excited to part of this high quality creation.

Producers of “Team Queen”: Lewis Chieng, Sheryl Vedamani, Daniel Gogolin, Alexandra Castillo, and Max Tennessen.

Director: Dave Roncin  Writer: Casey Splinter Actors: Trilby Jeeves, Ava Vanderstarren, Jason Mireau

Follow Team Queen’s blog for more information.

In the meantime, I have decided to post my journey into the dark “Alice in Wasteland”.

January 9^th, 2012

I was contacted by director and teacher David Roncin from Vancouver Film School regarding the next Compendium film shoot. He wanted to know if I might be interested in auditioning for the role of Queen in their short “Queen”. I read the script, fell in love with the style and the story, and promptly said yes!

January 10^th, 2012

I’m having a very busy January and finally, late evening, got to studying my lines and doing some character preparation for the audition.  The role is bold, troubled, and sensual in an ugly way. I went over the lines many times without imposing too many decisions. Just played. Eventually got the script to a place where I felt I could sleep the night!

January 11^th, 2012

In the afternoon, after working on my business all morning, I dug into the script again. Using some tools I teach, I “buffooned” the scene (taking it to an extreme with some mockery), and danced to the words. It seemed to help find the Queen. Jumped in my car, put a cork in my mouth to practice the lines on my way (this helps with diction and clarity, and warms up the mouth muscles!). Once there, I continued to listen to the music I chose to suit the Queen’s personality, until I was invited into thee room. There I met a beautiful young woman who was playing my Alice. It was easy to be inspired by her beauty, and dig up the objective of the Queen. (you’ll have to see the film to find out what that is.. ) Your hint is that the Queen ISN’T pretty. We connected and I had fun in the audition. I think if one is having fun during an audition, things are looking good. If nothing else, you walk away feeling good. And, I did. And, I had no expectations. Onwards.

January 12^th, 2012

I’m always up very early on Thursday mornings for a business networking breakfast I attend. Decided to check my email on my iPhone, as I do most Thursdays. Today there was a message from one of the producers, Daniel, that they were thrilled with my performance and wanted me for the role. Yahoooo!! I had to share with my biz group and they were excited for me. I’m very happy to do this project as I know how great the production values are, and the people involved are super nice. Plus the role is “juicy”! I’m grateful for the opportunity. Two of my friends were in previous Compendium films and they had a super experience. In fact, I got to coach on one of them – “Hook” from the Forever Series. Now it is my turn to be in the hot seat!

January 18^th, 2012

This evening was scheduled for me, “Queen”, to have a make-up test. I wasn’t sure what that was going to be until earlier today. I figured it would be involved as the Queen’s face is to be scarred, and less than pretty. Well, tonight was about making a mask of my face so the make up artists could create prosthetics that would be glued to my face. I had been through the process before, which was good as it can be challenging. Your face is completely covered in goop with only the nostrils being left so you can breathe. There is a lot of trust in the people who are doing it so you want to make friends with them very quickly!

Pre-goo.. Sexy ball cap! (not)

No fear, Louise Lockhart and Steph Segaric were awesome and constantly checking in with me to see if I was okay. They first applied some purple gooey stuff (official name is alginate, a seaweed by product) to my face. It felt strange as it dripped around. This first step was to take a detailed impression of my face. (I wonder if it’s the same stuff they use at the dentist…) The cheesecloth they then attached was to help create some traction for the subsequent casting to grip.  The gypsona, a light plaster, becomes the spine of the shape so they have something solid to work with when they make a “positive”.

Me in my purple gooey Zen state!

Okay… that’s the technical details. What was I going through as these steps took place? Surprisingly, once I got used to being covered, and trusting my little air holes, I felt quite Zen. It was a refreshing break in my crazy schedule. I couldn’t talk, couldn’t read, couldn’t do anything but sit. It was a “mask retreat”. Maybe there is a new business here! Our society needs it! Forced stillness. I was almost disappointed when it was time to pull the mask off (which went quite smoothly).

Louise laying down plaster strips

But… there was some fun happening around me during my masked meditation!

Louise and the Queen… hmmm

Steph having fun.. me innocent!

I didn’t see my “positive” made from a cement like substance, but this is Jack’s, the Queen’s cohort. Louise and Steph use the rock hard face molds to create the prosthetics that will eventually find themselves on our faces as scars.

Jack’s face for prosthetic making

January 25, 2012

Time for a second session with Louise for a more in-depth testing of the prosthetics and some make up for the Queen.

Colour Testing the prosthetic

Louise showed me the scars, and then began her artistry to feel out how everything might look. I became her canvas. I tried not to interfere too much with photo taking, but, it’s not every day a gal gets to have this kind of character building, in a literal way! We tested the skin grafts, because they’re important during a pivotal moment for the Queen. But… I won’t give that away, either! As an actor, I always enjoy playing a role that is physically steps away from me. There is a freedom of expression that is hard to explain. This make-up will be like doing mask work, in a miniature way, which always leads you to a mysterious place.

Good beginning tests for “skin graphs” … blec!

January 26, 2012

Today I am going over the most recent script and hoping the lines don’t change too much. I know they have to keep the script under a certain amount of time as we have only 12 hours to shoot everything. And, that will include the 3 to 4 hours they will have me in make-up. I plan to use that time to review my lines, my intentions, my objectives, and listen to some music (this really helps me get in the zone of my character). I’m sure I’ll spend the first part of the session just waking up, and chatting to Louise as our call time is sure to be very early.

January 27, 2012

This evening we had a rehearsal with the three cast members and our director, Dave Roncin. The role of “Jack” has been re-cast for personal reasons. I never did meet the original “Jack” so I didn’t have a chance to get attached. Our new Jack, Jason, is a nice guy and contributed some good insight about the script. Both Ava and Jason have worked together before, which can be a helpful bonus (they graduated from VFS at the same time). I think we will have fun and give each other good support.

Tonight’s rehearsal focused mainly on discussing our individual stories, our relationships to each other, and the subtext of what is really going on. I enjoy this sleuthing.  Then at some point you have to decide what are the stronger choices, and what is going to make the story “sing”. It’s like building a puzzle and knowing when you’ve found the right piece because it slips in easily. The Queen’s character, on the surface, could appear to be hateful and ugly, but underneath she is a suffering figure, like so many in real life. My job as an actor will be to inspire some sympathy in the audience despite her apparent cruelty. No pressure!! I do like her, though, and that should read somewhere in me when the cameras are turned on. At least, this is what I hope for. I will look to our fearless leader, Dave, for guidance.

We also examined certain sentences that didn’t ring quite right. A lot of times you might not know exactly why, but something leads you to question whether your character would say that word, or that line. The writer has done a great job and now we’re just doing some tweaking. Our job is to serve the writing. I didn’t see the original script but apparently it has gone through some major changes to its current state (as they do).  I am also looking forward to the silences in the story.

After a couple of reads and our discussion we walked down to the studio to see the set. It was a busy place with the walls being painted a dusty rose (not purple, Max!). And, I saw the beginnings of my little stage where the Queen dances. I’m excited about that. Having some physical action will help my overall interpretation. When I perform I always use music to inspire me into my character. Dave walked us through the broad strokes of how we will be moving through the space. Then we were released to go home and do our homework!

The gang “early days”…

I come off stage for my next change, back into a “normal” character and realize how free I feel. I also realize that my devilish inner voice that taunts me, tells me I’m not good enough, has been flushed into the outer world. Nowhere near me.

“This has got to be good,” I think to myself.

Considering my wonky start with the bouffon training with my mentor, Marc Dore who studied with LeCoq in Paris, I was suddenly wooed over. A great big fat AHA! moment.

“I wasn’t over-thinking my performance, my opinions were clear, and I had fun playing with my partner.”

“Tout Est Bien Qui Finit Bien” love scene in bouffons

It was everything you strive for as an actor.

20 years later, I decided it was time to bring this gem I had in my acting toolbox to the forefront. I holed up in my apartment in Vancouver, played my favourite music, and spent two weeks designing my first official “Buffoonery Acting Workshop”. I was lost in the joy I felt as I created a path for others to discover, with all the wacky gifts along the way.
March 2007 was the official launching of the workshop and 5 eager participants showed up. Brave bouffon warriors.
Almost five years, and approximately 350 bouffons later, Buffoonery Workshops is gradually becoming “Buffoon Culture”. It has become not only good for actors, but also for the non-actor.

Here we will only peek at the actor experience.

“What do you do for a living, Trilby?”

In social settings where I answer what my main focus is in life, “Buffoonery Workshops”, there is always a double take. And, I don’t blame them. I repeat, and then give a general idea what it is I do. Or more importantly, what people do in my workshop.

When a group of actors begin my course, whether it be a 6 week program, or a 2 day intensive, or even a mini-coaching, there needs to be a safe place established. Safety is paramount, in my opinion, in order to reap the full benefits of the journey.

We talk about each person’s experiences, obstacles, and goals for their acting. Some of the obstacles I hear are: “I think too much”, “I don’t trust myself”, “I’m too aware of my body”, “I’m afraid of forgetting my lines”, “I want to be more truthful”, “nervous”, “worried about what others think”, “want to be more connected”… and so on.

I assure everyone that they will be so involved with what they are doing as a bouffon that most of those “voices” will disappear. For the time being.

When people ask me what is a bouffon, I start by suggesting it is similar to a clown, but not really. Then I compare the two entities: the clown generally seeks approval from its audience; the bouffon doesn’t give a s…t! Hence, being in a bouffon state is very freeing.

Because the bouffon loves to mock us, the human world, he/she has a very clear opinion of the situation and the character it is ridiculing. This is very helpful for the acting world.

As an actor, your job is to discover what is hidden underneath the obvious text, paragraphs, scenes, and story. Subtext. As in life, what we say can’t always be literally translated. How many times have you said “fine” when you meant the opposite? And that is just one word!

I have dug around, myself, in many plays, scenes, lines to find out what is really being said. This sleuthing will inform me in how I deliver a line.

But, sometimes, sitting on our butt, script in hand, pencil in mouth is not the best way to discover the answers. We also need to move. And, sometimes we need to move BIG.

That’s where I come in.

“Imagine you are downtown driving a Porsche. Yeah… so what? It’s a Porsche, yeah, but you can only drive it 50 km an hour. You can see that the car can go fast by the speedometer, but, that’s all you know.”

“One day, you take your Porsche out to the desert where it’s really safe, and the road is straight. You start to drive it. Really drive it. FAST. You grasp the wheel tighter, you sit up, and you pay attention!”

“Holy crap! This car can GO!” It’s a rush.

You go back to the city, still driving the same car, back to 50 km an hour, but now you are different. You understand the power beneath you. You hold the wheel with a different, knowing grip. Your posture is different. There is a glint in your eyes that wasn’t there before.

This is what we do in Buffoonery Workshops. I take you to your extreme, bring you back, and leave you with a knowing, a confidence that wasn’t there before. The participants will buffoon a monologue or a scene just as I did in my Shakespeare play.

Oh, and, that glint? It’s got a sense of humour.

But, let’s back up for a moment. You still might be wondering, “Yeah, but, what is the bouffon, and where the heck does it originate.”

Good question.

We need to go far back, way back to the time of “Le Renaissance” and Philippe Gaulier one of the great mentors of LeBouffon:

“Bouffon is an art form, which originated with the ‘Ugly People’ of France during the French Renaissance. Gaulier said excessively ugly people, lepers, and those with disfiguring scars or deformities were “banished to the swamp.” The exception was during festivals, when the bouffon (or ugly people) were expected to entertain the ‘beautiful people’.”

“During these performances, the bouffon’s goal was to get away with insulting or disgusting the beautiful people as much as possible. Typically, the bouffon would target their attack on the leaders within the mainstream of society, such as the government or the Roman Catholic Church.”

“The ideal performance for a bouffon would be one where the audience is wildly entertained, and then go home, realize their lives are meaningless, and commit suicide. This of course is a theoretical ideal instead of an anticipated outcome.”
Jacques LeCoq, another wise bouffon mentor, from which my schooling originated, compares the clown and the bouffon as such: “The difference between the clown and the bouffon is that while the clown is alone, the bouffon is part of a gang; while we make fun of the clown, the bouffon makes fun of us.”

Originally, when LeCoq encouraged his students to mock one another in the spirit of le bouffon, the exercise failed. The “mockee” felt insulted, and not comfortable. LeCoq realized that the bouffon had to have some distortions (much like the “ugly people of the renaissance”) in order for the mockery to be effective. Bumps and lumps appeared, and that worked!

The “mockee” was able to laugh at him/herself, and became more enlightened.

So.

The benefits from working with le bouffon include working well with your colleagues (the hierarchy is accepted in the bouffon gang and there is no conflict), and releasing a self-consciousness about your physical self, thereby freeing yourself to play honestly.

To play. Jouer. En Francais, we always describe “acting” as “entrain de jouer”: playing.

Le Bouffon helps us reunite with what is already in us from our early years. And, as audience members, we know that when the actor is having pleasure in playing the story, we are relaxed, and involved.

Vive le theatre! Vive le bouffon! Vive le jeu!

Please have a browse  the Greater Vancouver Professional Theatre Alliance website where this article had it’s debut.

Really, the New Year always seems to have a refreshing sense of renewal, a clean slate, a second chance, a new step, new energy and resolve, a dusting off, a shedding of old, and a new determination of marching forward. I love the sensation, yet, the realist in me says “it’s just another day”, and nothing has changed. Thank goodness, the spiritual side of me chooses to embrace the illusion of newness, and pulls up the new clean agenda with hope.

New Year’s resolutions can become a dangerous concoction of expectations, unattainable aspirations resulting in disappointments, so I step around the ritual with caution. One of the people I have “met” online, and follow is entrepreneurial mentor Chris Brogan. He offers us a suggestion to replace the over zealous resolutions by choosing three words for your 2012 guiding track. You have to dig deep inside and figure out what words resonate with how you would like to drive your year. I like this.

So… in the spirit of Chris, I would like to write three words that represent for me my departing year, and also my arriving year.

The main energy for 2011, for me, involved family, and some new steps towards my business. I learned that there will always be difficult challenges in life, and the other challenge is to balance it all, without guilt, with laughter and pleasure.

2011: Showing up, leading, cocooning

2012: Embark, Focus, Manage

Happy New Year to you all. I sincerely wish for you a road of good life, with good lessons, and laughter. And, if you would like to share three words with me, here, I would be honoured.

Cheers!!

Our inspiring neighbourhood… Happy New Year

As a kid growing up in a very creative family we made it a rule that we had to make at least one gift. This became the funnest part of our gift giving, because it nurtured our creativity, and also made us a tad competitive in a very fun way. I am very grateful we had this ritual.

When I got into the performing arts my gifts changed colour (I still like making things). One of my favourite gifts to do was researching good short stories and recording them on tape so my parents would get personal audio stories.

How can you turn your skills, hobbies, or interests into a gift?

You can make gift certificates that give your receiver a 3 dimensional proof of your future gesture.

1. Escort you on a Spring Hike with a hot chocolate at the best viewpoint. (take a thermos)
2. Read a story aloud to you, before going to sleep at night, for 10 nights of your choice. (start researching stories)
3. For your artist friend, take them for a gallery tour, with a good cup of coffee and discussion at the end.
4. Take your friend/family to a play, or to some live music. (this might cost a little bit, but so much fun!)
5. Offer to clean, vacuum, or spruce up a friend’s place. (could be a real treat for a friend/family)

Our favourite gift from Peter’s sister, Sue!

Examples like these are fun, unexpected and can kick-start your imagination. And, you won’t have a horrendous credit card bill at the top of the following year!

What do you think? Any ideas to share?

And, under what Christmas celebratory category do you fall? Read more at “Buffoon Droppings”.

Merry Christmas, and remember, breathe and enjoy your loved ones first and foremost!

How could you use the artistic way in your work, your office, your company a little more? Do you think it could re-engage your employees, or spice up your colleagues? In turn, do you think productivity might improve? Could it be more fun and productive? Just asking!

Thank you, TEDtalks…

(at least there might be some wine at the end?)

We had some grape picking, wine making fun recently in the Okanagan! (no feet!)

To read more: Bouffon Droppings